I’ve just witnessed the implementation of a different theory of stereoscopic projection geometry — the Green Lateran Method. No floating windows but very large positive values of parallax. That gives more stereoscopic resolution in terms of pixel count, or as Buzz Lightyear would say: to infinity and beyond. But the average value of positive parallax is in the “normal” range since lots of shots are flat as the proverbial board — or nearly so. And curious that the villain in the film is named Parallax. Or were they thinking more deeply about the subject than I can imagine?
It’s true that it’s a job of conversion and that process is much maligned. However I do know of a successful example. My sister-in-law Sara converted to Judaism.